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£££ under 100k
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Anthony Gormley ££££
Antony Gormley is widely acclaimed for his sculptures, installations and public artworks that investigate the relationship of the human body to space. His work has developed the potential opened up by sculpture since the 1960s through a critical engagement with both his own body and those of others in a way that confronts fundamental questions of where human beings stand in relation to nature and the cosmos. Gormley continually tries to identify the space of art as a place of becoming in which new behaviours, thoughts and feelings can arise.
Tony Cragg ££££
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Tony Cragg is one of the world’s foremost sculptors. Constantly pushing to find new relations between people and the material world, there is no limit to the materials he might use, as there are no limits to the ideas or forms he might conceive. His early, stacked works present a taxonomical understanding of the world, and he has said that he sees manmade objects as “fossilized keys to a past time which is our present”. So too, the floor and wall arrangements of objects that he started making in the 1980s blur the line between manmade and natural landscapes: they create an outline of something familiar, where the contributing parts relate to the whole. Cragg understands sculpture as a study of how material and material forms affect and form our ideas and emotions.
Nigel Hall ££££
Nigel Hall studied at the West of England College of Art, Bristol from 1960 to 1964 and at the Royal College of Art, London from 1964 to 1967. A Harkness Fellowship took him to the United States from 1967 to 1969.
Hall has had many exhibitions around the world and has been widely collected. His first tubular aluminium sculpture was made in 1970. In subsequent years he explored the ways in which tubular construction alters the viewer’s perception of space. This interest in the qualities of spatial construction was balanced by an equally strong pre-occupation with the particular sites his sculptures occupy. His recent work has been less minimal in feel, tending towards stronger, more solid forms, and a solo exhibition of his work was held at the Royal Academy in 2011. In 2017, Hall was awarded an Honorary Doctorate from the University of the Arts, London.
Lynn Chadwick ££££
Lynn Chadwick came to sculpture through unconventional means, initially working as an architectural draughtsman. He began his sculptural career making mobile constructions for building trade fairs and it was the resulting success of these early mobiles and stabiles, two of which were shown on the South Bank during the Festival of Britain in 1951, that first allowed him to seriously consider becoming a freelance sculptor.
Chadwick’s unique approach was based on construction rather than modelling. First, he welded a linear armature or skeleton onto which he applied a skin, building up the surface to a solid form. By beginning with an abstract form or ‘space frame’ and investing it with an allusive vitality, Chadwick’s working process is the reverse of most traditional approaches. The results are equally as original and each work has a carefully considered ‘attitude’ communicated through stance, texture and finish.